Category: Graphic Communication

After some consideration on finding the meaning, I decided that I liked it pretty and purple. It focuses on the balance of making things look nice to please people. Thinking about my dissertation and manifesto on being an ethical designer, I have not listened to it. I have created a non-innovative piece that’s main purpose is to look nice. This week has challenged me as for once I am unsure, I am questioning my decisions and have no real answer. Is that a bad thing? I don’t know and it’s ok to say I am unsure.

• 

• 

• 

I did play around with it adding vibrancy, and life of a wedding scene but adding took away from the calming, delicate design.

• 

• 

To make the colour pop I tried this. I don’t think it works as there is no balance. If it did work then there could be greater meaning with the lives are a bit dull (black and white) or for better words set in their ways until Tania comes along and turns everything upside down with the explosion of colour.

I didn’t like this design so reverted back with the calming presence and I like the feeling of safety and so did Chila and Sunita in the book.

My feedback was some what positive. I needed to add more depth and meaning to the design. It feels safe and what you’d immediately think of. I initially began to play with colours and shading.

• 

• 

• 

• 

• 

• 

I felt there was something missing so looked back at my first drawings and realised I wanted to go back for the rule of 3. I researched henna tattoos and drew 3 symbols from them to represent the 3 women. I liked the watercolour effect so added that in for texture.

• 

• 

• 

• 

• 

• 

In the past, I have not experimented enough so I wanted to try new things with these. I experimented with the text on the back because in my feedback they hinted that it was basic. I highlighted a chunk by making it in bold. I remembered that I was told to reread the sentences and pull the meaning out. Each sentence ended in a question so I wanted to bring focus to each of the nudging questions.

• 

• 

• 

• 

• 

• 

However, I am no happy with my cover as it doesn’t bring me anything. All my past work has had meanings but with this I am struggling to find any. Yes it is pretty but whats behind it. The book has so many emotions and I want the cover to show that.

Having a week project means I needed to get started right away and not think to crazy so I get onto my designs (this always takes the longest).

My first idea was to have rules of 3 as there were 3 women but after talking to the tutors this is what others talked about. I wanted to be different and use 3 visuals, so I looked at the idea of the henna and Indian decorations instead of the women themselves which opens the book. I began to look into and recreate the patterns on paper.

• 

• 

I quickly drew up the lotus flower as that holds a lot of meaning of purity and rebirth/ regeneration, which the book is about 3 women changing in their lives. I added the water colour element as the lotus flower lives in the water.

I placed 3 of these within the cover of the book and found this script font to go along side it, called Brushwell.

• 

• 

I thought this was plain and needed detailing to the back, as last years designs were simple and based around the typography I wanted to push myself to focus on my other elements. I added to the decorative theme by including a textured background.

• 

• 

Life Isn’t All Ha Ha Hee Hee by Meera Syal

Ahimsa Supriya Kelkar- the story of an Indian 11 year old bride in the 1857.

This book immediately tells the viewer it is about an Indian girl. It flows nicely with the symmetry and has balance with no over crowded spaces. The illustration and colour scheme is seamless. Its minimalistic tone makes it contemporary and youthful for the audience aimed at teens and adults. For my cover I need to push for an older audience and do this through the details.

The Family Tree by Sairish Hussain – the story of British Muslim family living life after losing the mother

Again the colour scheme is simple and uses the same colours. This book however has more autumnal tones using the blue/ green tone as the main colour. Overall this book is looks more for the older generations, which I believe is from the finer detailing and script lettering of the authors name. This cover has great hierarchy too but is a safe design. For my cover I need to think away from the first ideas and try not to be so safe.

The Vanishing Half by Brit Bennett – a story about identical twins living different lives in the 1950s as their skin colour defines them.

This contemporary design uses bright and colours that is only really used with female high-end fashion brands or Refinery 29. Instead using the fades to introduce the merging of sisters yet keeping their colours very different much like their opposite lives. The font is simple with no difference between the book and the author. But the image overpowers the text. This is a very stylish cover but holds a greater meaning. For my design I need to think about the greater meaning and rational behind my design.

We Should All Be Feminists by Chimamanda Ngozi Adichie – A short, effective essay about gender, the wrong ideas many people have about feminism, and why it is important.

• 

• 

Most of these books have different varients but one always stands out over another however, this book has 2 very different styles both of which are for sale. The right has an almost African feel to it with the complimentary colours and painted pattern style where as the left has geometric, almost futurist or constructivism style. This raises the question of how much I should add in the Indian styling to fit the book and the current market?

Taking these ideas forward I need to keep to bold type with good hierarchy. A simple, lighter colour scheme – no one used black but all use white? A repeatable pattern or style.